Ryan Turner, top choral conductor and proud Texan, brings us his favorite male country singers in this episode of The Necessary Show
By David Brittan
I have listened to plenty of country singers in my time, but never really heard them until I sat down with a connoisseur. I was already a fan of Ryan Turner’s, having experienced his masterful presentation of the Bach Christmas Oratorio with Boston’s Emmanuel Music, which he leads. Our paths crossed again last year, when Ryan began directing a group I belong to, the Newburyport Choral Society. That’s when I learned about his Texas roots.
In El Paso, where Ryan spent his childhood, the sound of fiddles and steel guitars was in the air. He idolized country and bluegrass singers like George Strait and Vince Gill, and spent hours in his room trying to imitate them (“I sang everything up an octave,” he explains). By the age of ten, he was singing in bars, even opening for a well-known band called the Bellamy Brothers.
Lucky for Bach, Ryan’s classical interests won out. So today we have a highly regarded classical musician — tenor soloist, choral director, opera conductor, voice teacher (at Longy School of Music of Bard College) — who kicks back to Charley Pride. And he’s only too happy to talk with me about his favorite country vocalists, albeit with the occasional anatomical reference (“pharynx”) or nod to an operatic composer (“Rossini”).
“There are some country music singers who have these amazing voices, especially tenors that find this sweet sound,” Ryan tells me in the podcast. And durned if he ain’t right.
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Featured in this episode
Charley Pride “Is Anybody Goin’ to San Antone?” (RCA/Legacy)
Kenny Chesney “Being Drunk’s a Lot Like Loving You” (BNA Records)
Jon Pardi “Heartache Medication” (Capitol Records Nashville)
Vince Gill “I Still Believe in You” (Geffen)
Jimmie Allen, Darius Rucker, Charley Pride “Why Things Happen” (Stoney Creek Records)
George Strait “Amarillo by Morning” (Geffen)
Roy Orbison “Crying” (Columbia Nashville Legacy)
Lawrence Brownlee “Ah Dov’è, Dov’è Il Cimento?” from Semiramide, by Gioachino Rossini (Delos)
Leif Aruhn-Solén “Domine, labia mea,” from Psalm 50, by Michel Richard de Lalande (SonoConsult)